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The desire to handle even undesirable aspects of one’s culture in a humorous-yet-serious way is something that has actually been ever-present in the media. Social problems, along with the periodic political concern, can unexpectedly be the focal discussion point of episodes of popular programs, with some more prominent ones becoming the focus of whole series. The Japanese hikikomori issue, along with the standard social stress and anxiety and hints of schizophrenia that being a hikikomori requires, has actually ended up being the property of a relatively recent franchise including an anime, comic, and novel series understood merely as “Welcome to the NHK.”

Being a social shut-in, he is likewise often seen to show another Japanese sub-culture-turned-problem: that of being an obsessive anime otaku. For the unfamiliar, the Japanese see the otaku sub-culture as a potential social issue, primarily since most of these individuals have a somewhat jeopardized grip on reality, preferring to focus their time, effort, and attention on various types of home entertainment. The sub-culture shows signs that are translated as social stress and anxiety, though they often appear to have somewhat regular social interactions on the uncommon celebrations where large numbers of otaku gather.

This conspiracy, understood as the Nihon Hikikomori Kyokai (the Japanese Hikikomori Association), is the source of the “NHK” in the title, rather than the real-life Japanese tv network NHK. It is notable that while Sato at first believes the female lead, Misaki Nakahara, to be one of these representatives, he never actually takes the time to information what the NHK hopes to accomplish by turning the entire male population of Japan into socially-inept shut-ins.

짭플릭스 Together with a variety of other characters, some of which appear to be representatives of other socially-challenged Japanese sub-cultures, Misaki and Sato come together in the most uncommon ways. Part of the interaction between the two leads stems from Misaki’s agreement with Sato, which mentions that once every night, she is to lecture him on how to overcome his social stress and anxiety and become a typical, operating member of society again. Obviously, to supply entertainment worth, not everything goes as prepared, with Sato experiencing whatever from panic attacks due to being outdoors his apartment, to having Misaki pretend to be his girlfriend to trick his going to mom.

Aside from the aforementioned subcultures, the program also quickly discuss other aspects of Japanese culture. This includes the thriving independent gaming circuit, the “Internet suicide pacts” issue, and other Japanese social idiosyncrasies. It should be kept in mind that, in spite of the title of the program, the network NHK never ever really aired “Welcome to the NHK.” Hence, unlike the books, the show does not explicitly connect the NHK conspiracy to the NHK television network.

The Japanese hikikomori problem, along with the standard social anxiety and tips of schizophrenia that being a hikikomori involves, has ended up being the property of a relatively recent franchise consisting of an anime, comic, and novel series understood simply as “Welcome to the NHK.”

This conspiracy, known as the Nihon Hikikomori Kyokai (the Japanese Hikikomori Association), is the source of the “NHK” in the title, rather than the real-life Japanese television network NHK. It is notable that while Sato at first thinks the female lead, Misaki Nakahara, to be one of these agents, he never really takes the time to detail what the NHK hopes to attain by turning the entire male population of Japan into socially-inept shut-ins.

Hence, unlike the novels, the show does not clearly link the NHK conspiracy to the NHK television network.